• FUsername@feddit.org
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      6 months ago

      I stopped a time ago. Interestingly, the thing I miss most is maps. That sheer amount of user data paves the path for a fine traffic estimation.

  • Etterra@lemmy.world
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    6 months ago

    Hey show some respect! A whole team of people each racked up tens of thousands of dollars of student loanb debt and spent months tweaking their designs, just for upper management to wreck it all on a whim in order to get you those new icons.

    • prole@lemmy.blahaj.zone
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      6 months ago

      Man… I might be showing my age, but checking out some of the links in these replies gave me nostalgia for the website FontsnThings.com (or was it “FontsandThings”?). I used to love browsing that shit as a kid and downloading all the coolest looking fonts lol

      Anyone else?

    • Ephera@lemmy.ml
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      6 months ago

      It certainly looks a lot like Helvetica. Probably could be any of these Helvetica clones:

      I will also say that it feels a lot like Inter to me, which it’s not as the i-dots aren’t round, but maybe you’ll enjoy that one anyways…

  • jol@discuss.tchncs.de
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    6 months ago

    There’s always a yoyo effect with design. I fully expect Google to swing back to gothic palette and highly detailed icon within the next decade.

  • kerrigan778@lemmy.world
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    6 months ago

    I don’t love the difficulty of extremely fast individual identification but there is something to be said for the ease of extremely fast collective identification, it makes it very easy to see which group of apps each app belongs to, which is also valuable.

    • uis@lemm.ee
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      6 months ago

      Except this is not “browsers” group or “email clients” group, this is “vertical monopoly” group.

  • Hammocks4All@lemmy.ml
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    6 months ago

    Plus the art they started using in gdrive. The art on its own is cool but within the Google ecosystem just feels like… what is it even… why… ugh I hate it.

      • ikidd@lemmy.world
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        6 months ago

        I’ve recognized this style as a generic corpo art, but never had a name to put to it. Thanks for that.

        Sanitized, pandering, and insincere, Wikipedia describes it perfectly.

      • captainlezbian@lemmy.world
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        6 months ago

        Yeah like in 50 years I can absolutely imagine people loving it as a style of a time. I recognize I like pop art far more than I would if I was in its target demographic. But also I don’t hate it, it’s just so everywhere and so soulless. It’s the style of “money please” in a time of great socioeconomic inequality. It’s art deco but demanding friendship and comfort rather than respect and awe. But more than anything it’s art for business people, and I just don’t care for business people.

    • neonred@lemmy.world
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      6 months ago

      prevent body shaming by only showing obese/disfigured people so society accepts it as a healthy norm

      • webghost0101@sopuli.xyz
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        6 months ago

        Corporate memphis does incorporate a sort of identity vagueness.

        Almost all human features, body, skincolor are in a uncanny valley. Non-personal enough to be general yet similar enough to be relatable to pretty much any theoretical demographic.

        In reality it falls flat. Many people (non partisan) dislike it because of how artificial and shallow it feels.

        What it is definitely not is a deep plot to change the social perception of checks note people with non idealistic body features.

        Google has no economic insensitive to improve your opinion of disabled people who are equally part of this group you appear to find non acceptable to exist in the workforce.

  • LeFantome@programming.dev
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    6 months ago

    Triumph of visual design over interactive design. These days, most “designers” only care about graphics visually. The much deeper science of how people use and understand things is beyond them. Worse, they think the problem is that everybody else does not “get” visual design.

    Style over substance.

    • uis@lemm.ee
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      6 months ago

      Worse, they think the problem is that everybody else does not “get” visual design.

      This means they didn’t even make good design. Another example is KDE vs GNOME.

      KDE: “We just did system we wanted.”

      GNOME: “No, you don’t get it, this is design!”

  • linkhidalgogato@lemmy.ml
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    6 months ago

    Its one of those things u never think about as a person without disabilities, cuz i can tell the difference just fine, i guess they should have consulted someone with a vision impairment when considering stuff like this.

  • qustrolabe@lemmy.world
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    6 months ago

    On top of that in Play store lots of times when I search for certain app it gives me like 10 more alternatives that all have slightly different logo but all use that same yellow-green-blue-red color palette that google has, so with all these copycats it’s even harder to figure out whether app is from google or not

  • rustydrd@sh.itjust.works
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    6 months ago

    I wouldn’t even call this “aesthetics”. Rather “conceptual homogeneity” or something like that. It’s what happens when you strive for a uniform look over a useful or visually pleasing one.

    • uis@lemm.ee
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      6 months ago

      In some countries uniform look at least provided good for society. In this case it provides only profits for to 1%.

      Good for society: